I Don’t Think I’ve Ever Seen Ths Version Before

Most folks probably don’t know that Geroge Mulhauser designed the knockoff of the Eames Lounge for Plycraft that outsold the original by at least ten to one, (it was larger, more comfortable, and cost considerably less), and even those who are aware of this may not know that Mulhauser, a gifted designer, created some of the most beautiful formed plywood chairs I’ve ever seen. Here is a model that differs considerably from his better-known “Mister Chair” with the swivel star base

Pretty, eh?

Cherner Chairs, Part Two

Projects | Mid Century Modern On A Budget | Rich Mathers Construction

The Cherner family has issued lots of variations on the original chairs their father designed, including some matching tables, which I don’t get all that excited about.

I do like this re-imagining of the originals as bar stools, though. Maintains the weird, insectile vibes of the originals.

The Forgotten Art of George Mulhauser

Mid-Century Modern Freak | 1970 Encyclopedia of Home Improvement Via

That chair in the upper right corner of the room?

It’s a Plycraft Lounge by George Mulhauser. You don’t see those in the wild all that much, but it is a great chair. I’ve seen them in local shops in excellent condition for under $1000. I find them far more comfortable than the Eames lounge.

Mulhauser also did the ubiquitous knockoff of the Eames lounge, of which I have two in my living room. Also more comfortable than the original. And probably outsold the Eames version ten to one back in the day.

Marcel Bruer’s “Bauhaus” Chair

Mid Century Modern Furniture NYC – Choosing the Unique And High Quality Furniture: Mid Century Modern Furniture NYC Beautiful Chair – Quakerrose

I’ve always liked Bruer’s “Bauhaus” chairs. Especially because, unlike a lot of iconic MCM design, these actually are more comfortable than they look.

I have one in the master bedroom….

Ridiculously Rare

Mathieu Mategot’s Airy Butterfly Chair Shows Mid-Century Modern’s Lighter Side at Paris’s Jousse Enterprise | Artinfo

 

 
Courtesy Jousse Entreprise / © Adrien Dirand
Mathieu Matégot, “Papillon Chair,” c.1950

Just as Charles and Ray Eames are inextricably associated with moulded plywood, and Vernor Panton with brightly colored plastic, the late French-Hungarian designer Mathieu Matégot appropriated perforated metal as his signature material in the mid-century.

I’ve seen just one of these babies in the wild, and it was ridiculously expensive. If you ever run across one at a garage sale, grab it!